The idea was to create an agency established and run by a practising illustrator and dependent on a group identity, which remains a guiding principle today. Heart Agencyįounded by Darrel Rees in 1994, Heart emerged from a studio collective. Artists on their books include Laurie Avon, Melissa Mathieson, Emmanuelle Walker, Parapaboom and Ryan Gillett.Įarly Morning by Tatyana Alanis, represented by Handsome Frank 11. Headed up by director Hannah Shilland and agent and producer Sam Walker, they have expertise in commercial campaigns and communications, exhibitions, and traditional and digital media. Brilliant Artistsīrilliant Artists is a compact London-based agency founded in 2020 that represents a tightly curated roster of established and up-and-coming illustrative talent. Artists on their books include Annie Atkins, Quentin Jones, Steve Wilson, Andy Gilmour and Paula Castro. In recent months, they've teamed up with Kiehl's, FT Weekend Magazine, Selfridges, The Design Museum and The Guardian, to name but a few. They work with clients in spheres ranging from advertising and brands to fashion and retail. Breed Londonįounded by Olivia Triggs in 2007, Breed is a London-based illustration agency representing a select group of 15 artists, illustrators and photographers, each with their own distinct style and perspective. It includes artist and director Mat Maitland, image maker Joe Cruz, artist and designer Anthony Burrill, artist and printmaker Kate Gibb, and 3D artist Jack Sachs. The list of creatives on its books is wide-ranging. Headquartered in London, Big Active is a D&AD award-winning consultancy whose areas of specialisation include art direction, graphic design, content production and – the relevant bit here – artist representation. Lucy Davey illustrates Scottish Walking Guides for Pocket Mountains. Smith, Adam Stower, Thomas Flintham and Jonny Duddle. Illustrators on their roster include Alex T. Their team prides itself on providing an expert and friendly boutique service and supplying beautiful, eye-catching content to clients across all genres, including children's publishing, sci-fi and fantasy, concept art and character design.Īrena has been steered by London-based directors Tamlyn Francis and Caroline Thomson since 2001, with the help from their man in New York, Alan Lynch. Arenaįounded in 1968, Arena is home to an enviable and carefully crafted list of illustrators, including award-winners and best-sellers. With that in mind, read on to discover the best illustration agencies in the UK today. Plus, it's probably best not to mass-email everyone at once, as this a tiny profession and illustration agents tend to know each other! Also, read their submission guidelines carefully and don't stray from them in the slightest, or you'll get an instant black mark against your name. So research the ones you're contacting in-depth first, so you know where they're coming from and can tailor your email and portfolio appropriately. When you are ready to apply, the main point to remember is that agencies are not all alike. So if you're lacking confidence in your skills and ability, you should read our guide to 10 steps to help you become a better illustrator first. By the same token, though, they'll only consider you if you're punching above your weight as an illustrator. These are the finest of the finest, the cream of the crop, and they represent some big names who are doing great work for some of the world's leading brands. And so, to give you a starting point, we've listed 20 great illustration agents based in the UK. Obviously, the better the agency, the better commissions they're likely to win for your practice. Then the next step is to consider where you'd like to apply. If you're not sure how to go about finding representation, it's worth first reading our article on how to get represented by an illustration agency. And even if you are, do you really have the time to be finding the right clients, negotiate your fees and draw up contracts? An illustration agency can help you with all of that, and beyond that, just having representation will make people look at you in a different light. Looking for more money, better commissions, better clients and generally more respect as an illustrator? Well, representation can get you all of that.Īfter all, being a great artist doesn't mean you're necessarily a great businessperson.
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